“Like Morano’s The Handmaid’s Tale, it’s creating tension out of quietness,” said Cooper of the film. I think that’s what independent film has always done.”Īmong the competition highlights are Craig William Macneill’s Lizzie Borden thriller Lizzie, with Chloe Sevigny and Kristen Stewart, and Monsters and Men, Reinaldo Marcus Green’s take on a police killing of a black man.Īnother highly anticipated film is Reed Morano’s post-apocalyptic drama I Think We’re Alone Now, starring Peter Dinklage and Elle Fanning. “I think what’s really changing for our audiences and for the filmmakers is just an awareness of how important other voices are not just to change in the world but also just as far as the entertainment factor, for fresh stories, for stories that are not just dull and boring. It takes constant vigilance,” said John Cooper, director of the Sundance Film Festival. “I don’t think you ever take a sigh of relief. That’s a positive sign for the indie film industry when compared to studio film world, where women continue to represent less than 10 percent of directors. Of the dramatic competition hopefuls, roughly one-third are directed by women. Competition, World Competition and NEXT sections. The festival on Wednesday unveiled the 110 films from 29 countries that will screen as part of the U.S. “So, there is a real sort of timely quality to that film.”ĭirected by Sophie Sartain and Roberta Grossman, the doc traces the life of the nation’s most visible women’s rights attorney, who has taken on President Donald Trump, Bill Cosby and Harvey Weinstein and has become a force within the #MeToo movement of victims speaking out about being abused by powerful men. “The filmmakers did notify us that they were going to continue shooting to add to the documentary as all of the allegations were breaking,” Sundance director of programming Trevor Groth said Wednesday in a statement. How Much Was Clark Griswold's Christmas Bonus? The Internet Wants to Knowīut perhaps nothing will hit the zeitgeist more squarely than Seeing Allred, which will be tweaked right up until the last minute to address the growing list of sexual harassment and assault claims that continue to rock Hollywood, the media and politics on a daily basis. This year’s incarnation of the annual indie festival is chock-full of ripped-from-the-headlines fare, including the Trump-Russian propaganda doc Our New President, the Koch brothers exposé Dark Money, the Ku Klux Klan drama Burden (starring Garrett Hedlund and Forest Whitaker) and Desiree Akhavan’s gay conversion dramedy The Miseducation of Cameron Post. A Gloria Allred documentary titled Seeing Allred will make its world premiere at Sundance 2018, joining a lineup of films that also includes the Keira Knightley– starrer Colette, Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot and the Daisy Ridley post- Star Wars vehicle Ophelia.
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